Tanja Godlewsky is a self-employed creative director from Cologne, and an expert in design and pop culture. She carries out complex design projects in the fields of culture, academia and business. In addition to her expertise incontemporary visual culture, branding and publishing, she also discusses and researches the way pop musicians present themselves visually – which ties in with her long-time exploration of gender design in a (pop) cultural context. Tanja Godlewsky has been working with students from various design and art colleges/universities for many years; in addition to her role at the Folkwang University of the Arts, she also works at the Cologne International School of Design.

Numinos teaches the ‘Production technique(s), sound and effects’ seminar. As a producer, live artist, DJ, mastering engineer, equipment tester and author of various publications (incl. Groove, Bonedo, Kopfhoerer.de), he can look back on nearly thirty-five years of technological and stylistic developments, and has in-depth knowledge of every stage of the production process.

His teaching approach primarily aims to give students a holistic perspective of the entire technical, artistic and sound creation process. Because successful production is not determined by the right or wrong choice of equaliser or compressor. Indeed formally ‘correct’ equipment parameter settings (whether virtual or hardware) may still be wrong, if the wrong settings sound ‘right’. Christian Kalinowski is driven by his desire to convey and encourage the necessary enthusiasm for experimentation and self-confidence in assessment abilities.

Richard Ojijo lives and works in Cologne. He spent the 1990s either in relevant Cologne clubs such as Warehouse, Iz and Studio 672 or getting acquainted with the endless world of electronic music with likeminded new producers such as Boris Bontempi, Heiko Voss and Alexander Geiger. Since the late ‘90s, Richard Ojijo has worked as a live engineering for musicians including Joy Denalane, Freundeskreis, Moderat, GAS, 0neohtrix Point Never, Max Herre, Modeselektor, Apparat, Roosevelt and many more. There are no genres he’s afraid to explore – from techno and urban, to reggae and dub, to soul, he finds it all enticing. As a studio and recording engineer, his clients have included the likes of Cody ChesnuTT, Selah Sue, Samy Deluxe and Patrice.

Richard Ojijo composes and creates soundtracks to the politically charged videos of Cologne artist Marcel Odenbach, which are exhibited at museums around the world.

He has been teaching the ‘Sound & Effects’ module at the Institute for Pop Music at the Folkwang University of the Arts in Bochum since 2015, where he provides insights into new soundscapes.

(Photo: Niclas Weber)

Gregor Schwellenbach is a key figure in the junction between classic tradition and electronic club music. He is a highly sought-after film composer and orchestral arranger, working for the likes of Irmin Schmidt (Can), Kurt Wagner (Lambchop), Kölsch, Megaloh, Alligatoah, The Heritage Orchestra, The London Symphony Orchestra and WDR Funkhausorchester. His chamber-music tribute for techno label Kompakt won the VIA Indie Award 2014 for ‘Best Experiment’. And for Steve Reich’s 80th birthday, he produced a cover of his Six Pianos with Hauschka, Brandt Brauer Frick, John Kameel Farah and Grandbrothers, which was performed live at venues such as the Elbphilharmonie. He runs the Galerie label and Threshold & Brook publishing house, and provides weekly analyses of the latest pop songs on the WDR Cosmo radio station.

Jan Philipp Janzen is a member of the band and producer collective VON SPAR, the band Urlaub in Polen, the Cologne-based All-Star-Clique Cologne Tape and the Stephen Malkmus & Friends play Can’s Ege Bamyasi project. He has offered (and still continues to offer) his drumming skills to bands such as Die Sterne, The Field, Owen Pallett and Scout Niblett, and has produced recordings of artists such as R. Stevie Moore, The Field, die Sterne and Xul Zolar at VON SPAR’s own Dumbo Studios. He has composed soundtracks (e.g. Speed – Auf der Suche nach der verlorenen Zeit), and has worked for record label Tomlab and the c/o pop music festival. He teaches pop-music production at the Folkwang Institute for Pop Music in Bochum.

(Photo: Martin Steinke)

Anne Ohlen is a lawyer specialising in copyright & media law and IT law. She has clients from across the entire creative industry, and has also worked in the legal department of a television broadcaster. Her work primarily revolves around film and television law, as well as music law. At the Folkwang Institute for Pop Music, she is responsible for the ‘hard facts’ of copyright and media law. She teaches students the legal framework conditions for publishing music and maintaining a media presence as artists. She also lectures at the TH Köln University of Applied Sciences and the SAE Institute in Cologne.

As the MC of Kinderzimmer Productions, Henrik von Holtum was one of the pioneers of bringing flow to the German hip-hop. He is a classically trained double-bass player and has written for publications such as Zeit, Spex and Juice. He also creates radio features for stations that include SWR, Deutschlandfunk and RBB. As a rapper, singer and bass player, his collaborations have ranged from the acoustic duo Textor & Renz to the Vienna Radio Symphony Orchestra, and from small punk-rock warehouses to the main stage at festivals. He teaches lyric-writing at the Folkwang Institute for Pop Music.

Thomas Venker is a co-publisher and co-editor-in-chief of the multi-award-winning Kaput Magazin für Insolvenz & Pop. Between 2000 and 2014, he was the editor-in-chief of Intro magazine, the magazine with the highest circulation in Germany at the time. He regularly writes for a portfolio of magazines and daily newspapers, hosts panels and symposia for cultural establishments, runs the Edition Fieber art record label, and is part of the team of curators for the Monheim Triennale. In addition to his journalism work, he also teaches music journalism and artist marketing at several German universities, and is the manager of DJ Lena Willikens and the Phantom Kino Ballett audiovisual art-performance project. He has recently published his book, Talking to Americans.